It’s officially getting cold, with promising bits of haze in the morning burning away into warmer afternoons.
Because I never seem to be content with what I have, I’d like a comfy draped dress by James Perse. ♥
♥ Momo
It’s officially getting cold, with promising bits of haze in the morning burning away into warmer afternoons.
Because I never seem to be content with what I have, I’d like a comfy draped dress by James Perse. ♥
♥ Momo
“It is more fun to talk with someone who doesn’t use long, difficult words but rather short, easy words like “What about lunch?”
-A.A. Milne via Winnie the Pooh
♥ Momo
“Promise me you’ll always remember: You’re braver than you believe, and stronger than you seem, and smarter than you think.”
– Christopher Robin to Pooh
The King County Metro system has moved my bus stop. {Pause for dramatic effect.}
The new route deposits me two streets up from my own, and I’m exploring all kinds of new neighborhoods on my new route home. Lovely houses, all quiet residential streets, full of surprises. I actually walked completely past this house before I realized that it smelled like strawberries. I cannot overstate my love of strawberries.
I looked everywhere, until I realized that they were growing all over the sidewalk in front of me, disappearing into a mass of blackberry bushes leading up a cement wall to the house. I inconvenienced at least five people {sorry!} while I crawled around taking pictures of the strawberries, but they were so cute, and so small! ♥
♥ Momo
I kind of love these ♥ The name of the shop: “Sometimes She Does”. Very cute. She makes other lovely things too, but I think that the best of the lot are the lollipop bowls. They’re simple, whimsical and cute, without having too much going on.
♥ Momo
Grey Friday tones: Etsy. Followed by more Etsy.
After a too-hot start to the week, Seattle is grey once again. I’m starting to pull out my sweaters and long pants & looking longingly at my boots. There’s every chance that when I stumble out of work, it will be sunny and warm, so more planning is required than a simple sweater and Smartwool-socks based outfit.
It’s an obvious trend here that my posts wouldn’t be complete without something from Anthro. I give the the Dried leaves dress in grey felted wool, with little felt flowers at the neckline, which aren’t annoying at all. Because I’m a sartorial masochist I went in, tried it on, hugged it, and put it back. It broke my heart a little. I recommend that you get a size down – because of the material, you run the risk of looking like you’re wearing a well-tailored sack if it’s too big.
I want to wear it & wander around Capitol Hill taking pretend-pictures with this camera, & wearing this upcycled felt scarf:
♥ Momo
Tiny fat bluebird: Etsy.
I might name my business Tiny Fat Bird. One of these days I’ll have to write an explanation/history of why tiny fat bird, but for now, I’ll stick to because. Tiny Fat Bird. That’s why.
If I hadn’t been on a bus at the time, {Yesterday} I would have stopped in my tracks at the sight of a girl at the bus stop with an adorable fat teal bird tattooed on the top of her right foot. I would have stopped and declared my undying love for her foot. I must be mad.
Robins: Lost? They look lost…
♥ Momo
I’m reading the discussion of perceived value on LinkdIn, which starts with a quote from Japanese Economist Noriko Hama:
“When you buy something cheap, you lower the value of your own life.”
…I buy that. {I also crack myself up} Pricing is the issue that haunts all artists, & value is an even more nebulous issue. I work with perceived value materials: precious stones, sterling & fine silver, gold. Our world gives these things value that goes beyond their physical properties. Your brain will automatically classify rubies & diamonds above garnets & quartz, without giving it a second thought. Forget that you can buy some rubies for a dollar and some cuts of quartz – which is a much larger range than you know – can cost hundreds of dollars. These things are relative.
The trick is apparently to price so that you’re paying yourself an hourly wage & covering the cost of your materials. From there? No one seems really comfortable talking about it. I’ve worked for boutiques that marked their retail prices at six times what they paid the artist/vendor they bought it from. In pricing & selling my own work, I don’t have to worry about the retail cost of things – except that I do. If I end up selling my work through a gallery or boutique, they’ll take 50%. I also need to make sure that people will want to buy my work, which as it is really doesn’t represent my full aesthetic or skill set. I’m just starting out. I almost feel as though I shouldn’t be selling my work right now, because I’m just not there yet.
That’s a silly concern, though – as though I’m turning away buyers. I do crack myself up.
In pricing to my insecurity, I run the risk of lowering a piece’s value simply by making it affordable. In class last weekend, a girl whose work I love made another excellent point: “If I’m pricing to my tax bracket, I may never make any money at all”.
So I’m struggling with pricing. I’m looking at Twist, where the pricing includes the name of the artist; you’re buying the prestige of wearing their name. There are pieces made from knotted silk & rocks that are several hundred dollars. {The same logic that makes a sterling necklace from Tiffany & Co. $300+} There’s the experience, too: Anthropologie has this down. They have zero advertising, and you only get their catalog if you subscribe, implying you have already found them through the dark underground of Anthro addicts….or, if you buy your niece a gift card for Christmas….sorry Uncle Steve, you will be getting Anthropologie catalogs until the end of time. The point with Anthropologie is that you’re not buying a piece of jewelry or a dress, you’re buying a lifestyle. You’re buying a ready-made look, which is made unique by nature of the cost – not everyone can afford to have a complete wardrobe from their store. I barely scrape by, & I’ve managed with a number of pieces found used, but I’ve also spent money I didn’t have in order to buy into their life. I think about this when I’m pricing my own work; I’m not empowered to make other women spend money they don’t have, but I know that people do; can I be held responsible for that? Probably not, but I’ve never been comfortable with the money aspect of retail.
But if I were pricing for my tax bracket, I’d never make any money.
My jewelry is worked out on the foundation of my aesthetic, which is simple, organic, clean, and classic. {Find me a designer that says their work is anything else.} I’m trying to make something organic and beautiful out of a pile of silk, silver and stones, of varying perceived & actual value, with a skill set that’s still growing.
I don’t know how to describe what I’m looking for when I look for materials; I probably have a better developed sense of the materials I want than skills to work with them. In the end, I’m looking for stones that speak to me. When I see them, something clicks.
It’s a lot like fashion; when you look for clothes, you go right to some pieces, right past others. Some just make you shudder.
I don’t have an answer yet. All I can do is keep making jewelry, failing faster as Shawn says. Sometimes I hit upon something that clicks. Say hello to my newest project:
Prehnite is apparently useful as an aid in meditation. While wearing it, I was able to juggle a purse, hot coffee, a glass of lemonade, and a pound of Strawberry Daiquiri Jelly Belly’s four blocks, up and down escalators and stairs….this is lot more than I typically can manage without some sort of epic disaster. Maybe it gave me inner calm, keeping me from spilling hot coffee on myself? Not a bad thing to hope for, even if it is psychosomatic.
Don’t ask about the Jelly Belly’s.
Thanks to everyone who sent me messages of support since my first piece went up for sale! Let me know what you think of the silk piece in this post; I’m thinking of making more.
♥ Momo
More Thimble & Acorn, because I love them so.
Day two of an amazing class with Nanz Aalund; I made a filigree bead late yesterday that I’m fairly proud of, and today promises to be even more exciting! {More exciting than a filigree bead? Wow!}
My first piece ever will go up for sale on my Etsy shop this week!
♥ Momo
I’ve been listening to Rosemary Leach reading The Mirror Crack’d while I work & it’s making me sentimental.
Tea set; I’ve loved this pattern for years.
It would fit in nicely in the scene when Miss Marple is telling Dermot McCraddock exactly who killed Heather Badcock. {I won’t spoil the surprise.}
This dress looked to me like something Marina Gregg would have worn on set before the day of the murder.
Teacups for the ABC Murders; in my top five Agatha Christie mysteries, along with the Mirror Crack’d, Murder at the Vicarage, The Orient Express, & The 4:50 from Paddington. {Originally published in the U.S. under the appalling name “What Mrs. McGilicuddy Saw!”}
♥ Momo
Books on my current wishlist:
♦Note: I love the “Look Inside” feature on Amazon. With jewelry, often the authors/publishers prohibit this feature {fears of designs being stolen or used without being paid for} and with cookbooks, occasionally publishers do the same; but how else can I know whether the recipes are ones I need? {Or want, for that matter.}
Good to the Grain; Kim Boyce ♣ Stumbled across this in a gallery in Duluth, MN of all places. Spent an better part of my time in said gallery wandering the perimeter and poring over the recipes, which are straightforward {not always to be counted on among the whole grain-conscious} and paired with beautiful photos of the food to be made. I was especially glad to spend time with this book, since I had previously found it on Amazon and had to move on: no “Look Inside” feature.
Lucid Food; Louisa Shafia ♣ Lucid Food is organized by season, keeping me from finding a recipe and running to Whole Foods only to find that the main ingredient doesn’t push up from the ground until next Spring. {Notably they mocked me a couple of years ago for asking after Spring onions in October. I really wasn’t thinking that day.}
Real Food: What to Eat & Why; Nina Planck ♣ If you read everything Michael Pollan has written, Nina Planck comes up in their database as your next required reading.
♥ Momo
Posted in Books, Food, Food Politics, Life